Notes from a Northwestern University Opera Master Class with Susan Graham:
Posture/alignment
Body movement in place
Body movement across stage
Physical strength
Facial expresion
Hands position
Voice control
Breath control
Delivery
Emotional expression
Subtle communications
Action/reaction
Melody
Pronunciation
Foreign language
Word meaning
Story line
Character
AN OPERA SINGER MUST BE AWARE OF
ALL OF THESE AT THE SAME TIME!
No comments:
Post a Comment
Comments are always welcome. You are appreciated! If you do not have a sign in to any of the accounts below ... use ANONYMOUS. Thanks.